This work was commissioned by the Iowa Composers Forum through the Marilynn Etzel Piano Commission.
From the “depths” of crashing diminished octaves rise four chords from which most of the composition is derived. A continuous rise and fall of a melodic line with emphasis on fourths is constantly interrupted by the low diminished octaves and permutations of the four chords eventually leading to a repeated bass pattern and ascending melodies. An extended version of the four chords is heard in retrograde leading to the middle section. The much slower middle section has the “feel” of a waltz even though the time signatures are 7/8 and 5/8. Essentially lyrical in character the melodies here are interrupted from time to time by the “growling” repeated bass pattern. As the “waltzes” continue, the bass pattern comes more frequently and gets longer until it takes over completely leading back into a shortened version of the opening section. The work closes as it opened with the crashing diminished octaves and four chords.