Yet I Will Rejoice is the premiere recording of the choral and vocal chamber music of Jerry Casey whose recent flurry of performances has shown her popularity in central Ohio and other venues. Mrs. Casey has had commissions from such diverse groups as Columbus Alumnae Chapter of Sigma Alpha Iota (SAI), Iowa Composers Forum (ICF), Ohio Federated Music Clubs (OFMC), Columbus Women’s Orchestra, a church in New Jersey, and a Ministers’ Chorus from Pennsylvania. She has received the ASCAP Plus Award annually since 1996.
The music of Jerry Casey is lyrical even when dissonant. Harmonies are frequently modal and quartal. Word painting, mood setting, sharp accents, driving rhythms, and judicious use of sudden silence all help enhance the meaning of the words. The sacred works on this CD have texts that resonate to all peoples such as trust overcoming calamity, the desire to praise and hope, the question of what life is really all about, the joy in a newborn child, the search for serenity, and the recognition of the power of the Creator. Two of the secular works evoke the spirit of the fall season; one is a three-fold look at love, and one is a dark call to death.
On Monday, December 1, at 6:11 p.m. (EST) RadioArtsIndonesia broadcasted “What Shall We Bring” (eight-part choral work a cappella) performed by the Otterbein University Concert Choir directed by Gayle Walker.
RadioArtsIndonesia will broadcast November, my work for soprano and cello quartet based on a poem by William Cullen Bryant, on Wednesday, November 26, at 6:27 p.m. Link: www.radio.artsindonesia.com. Enjoy!
Three Love Songs (Soprano/piano based on poetry of Elizabeth Barrett Browning) will be performed on the 2014-2015 concert series of the World Oceans Ensemble, based in Atlanta, GA. Tentatively the work has been scheduled for the ensemble’s March concert.
Anna’s Song (Soprano/Piano) was performed at the 2014 annual conference of the Christian Fellowship of Art Music Composers (CFAMC) at a concert on October 10, 2014,at 10:30 a.m., at BIOLA University, La Mirada, CA. The soprano was Elizabeth Sywulka.
The final section of Act I has been completed. Here is the action. Deborah departs and sends Darius, Pilate’s servant, to Procula. The final scene of this act includes the entrance of Pilate and his interaction with Procula revealing their relationship. I wanted Pilate to have something special in his music so I used a synthetic scale and worked to give him a military air. At one point in his interplay with Procula he expresses his frustration with the Jewish people. “I think this city is accursed! Why? Why can’t these people see Roman rule is fair and just. Roman rule is fair and just. Why? Why must they be so obstinate?” Click here for an example (remember that these are MIDI files without words).
I also want people to see the loving relationship between Pilate and Procula. Some of the music of the opening aria returns, this time cast as a duet. The couple reflect on Pilate’s appointment as procurator of Judea, Procula:” I remember that day when you told me your good news.” Pilate: “I had been appointed the Prefect of Judea. That posting was an important step in my career.” Both: “Best of all it meant we would marry.” Click here.
They sing of their wedding in Rome, Procula: “I remember our wedding.” Pilate: “I remember your flame-colored veil.” Both: “I remember our love fulfilled.” Click here.
They remember their honeymoon voyage to Caesarea, Judea’s seat of government, Pilate and Procula: “Then came our journey across the sea. Sunny days, warm nights.” Click here.
Then they recall the difficult times in Jerusalem and the possible results of the treason of Pilate’s mentor, Sejanus, and their fears of trouble at Passover time.
Deciding to turn from their somber thoughts and enjoy the evening together, they drift away to dinner as the curtain closes, Procula: “Ah, Pilate, let us not think about that tonight. Let us enjoy this evening.” Pilate: “Ah, yes, you are right, dear Procula. Let us enjoy our time together.” Both: “Our time together.” Click here.